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The art of children – a wonderland of the imagination
By Tony Mcgregor
Put a crayon and a blank sheet of paper into the eager fingers of any little person and they are likely to create something wonderful. In the child's early years this wonderful thing is likely to be very fresh, very natural and uninhibited. And that's what gives these creations their charm. As children grow they begin to internalise a lot of expectations from the grow-ups around them, often to the detriment of the drawings they produce. By this I mean that the drawings tend to lose some of their spontaneity and therefore their charm. Researchers into children's art are starting to define certain stages that children will go through in their discovery of their artistic abilities and the range of their imaginations. One model posits these stages: 1.Scribbling – this is what tends to happen when you give a one-year-old a couple of crayons and a piece of blank paper. They tend to make scribbles which have meaning to them and possibly not to anyone else. They do tend to show some understanding of colour and how colour works, though. 2.Pre-symbolism – this is the stage when the child will start to draw shapes and lines which he or she will interpret as a person, often themselves. This stage usually starts around age three. 3.Symbolism – this phase is when the child will start to create its own “vocabulary” of symbols for things around it or in its imagination. Each child will tend to develop their own unique set of symbols which they will elaborate as they grow in skill and understanding. This phase starts at about age five and lasts perhaps until about age eight or nine. A notable feature of this phase is that the child will attempt to “ground” the drawing by drawing a base line on which the figures of symbols will stand, or to which they will be related. 4.Realism – in this phase the child will attempt, usually under prompting from an adult, to create “realistic” images. It is during this phase that some children will stop drawing because they start to feel inadequate, that their drawings do not live up to their own expectations or the expectations of significant adults. My daughter Caitlin, who at the time of writing is almost eight, is firmly in the symbolism phase and draws enthusiastically from her imagination whatever is important to her. In doing so she is creating a world of meaning and beauty which I am finding quite fascinating. The attached illustrations are some of her more recent drawings. As I am not myself an expert on art or on the art of children, I make no claim as to the merits of these drawings as art. What I do find though, as a student of people, is that they represent interesting aspects of a child's world of meaning. I also enjoy Caitlin's use of interesting details in her drawings, details which add to the meaning of the pieces and show her attempting to grapple with the world around her and her own perceptions and wishes. It is a fascinating period of growth for her. |

An early, transitional painting between the pre-symbolism and the symbolism phases

Caitlin drew her bedroom. Note the carpet on the floor and the light switch on the wall.

Note the caterpillar eating the leaves of one of the flowers!

Two figures and a snowman. Caitlin has never seen a snowman in real life

Faerie and flower

Mermaids. Look at the details she has included like the turtle, the jelly fish and the seaweed!
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I think Caitlin has talent, Tony. She should be encouraged as much as possible.
Thank for sharing this great story,Tony. The breakdown of the stages and the images bring back many memories. Keep up the good work. Best to you. Frederick
When an elephant in a zoo first earned thousands of dollars for a single painting, it was no longer necessary to think about the merits of art. Caitlin's drawings are darling, as I am sure she is also. Thanks for sharing.
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